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Jill Corson & Russ Flatt
February 15
March 11, 2002
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Jill Corson bio available here.
| Russ Flatt |
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Born in Los Angeles, Ca.
Resides in New York City |
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| SOLO EXHIBITIONS |
| 2001 |
St Michaels College, Sloan Art Gallery, Colchester, VT |
| 2000 |
Sideshow, Williamsburg, Brooklyn, NewYork (tandem with Bob Witz) |
| 1997-98 |
Spensieri Contemporary Art, San Francisco, CA (10 year painting survey) |
| 1996 |
NY Kunsthalle, NYC, "Between Wuthering Heights", Video Hybrid Installation |
| 1995 |
St. Michaels College, Colchester, Vermont |
| 1994 |
Ovsey Gallery, Los Angeles, CA (7 solo exhibitions from 1982 to 1994) |
| 1991 |
Peter Miller Gallery, Chicago Illinois (also 1984) |
| 1989 |
Jayne Baum, New York, NY |
| 1986 |
Rena Bransten Gallery, San Francisco, CA |
| 1984 |
Leila Taghinia-Milani, NY, NY (tandem with Milano Kazanjian) |
| 1979 |
Franklin Furnace, New York, NY, "Bookworks" (tandem with Bruce Fier)- |
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| SELECTED GROUP EXHIBITIONS |
| 2002 |
Barara Levy Gallery, -NY |
| 2001 |
The Church of S. Maria Ausiliartrice, -Venice Biennale, Italy, "Re:Duchamp" |
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NY/Arts Magazine Collection" Traveling Exhibition |
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Sideshow , Williamsburg, NY, "21st Suffragettes" |
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St. Michaels College, Colchester, VT |
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Pierogi, Williamsburg, NY "Flatfiles" (1997-present) |
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Germaine Keller Gallery, Garrison, NY |
| 2000 |
Kai Hilgermann Gallery, Berlin, Germany |
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Side Street Projects, Los Angeles, Ca. |
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Margaret Bodell Gallery, NYC, "Facts and Figures" |
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London Biennale, international festival of the Arts, London, UK, organized by David Medala |
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Freudian Center for Research and Analysis, London, UK, "Imaging The Wonderboard" |
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Artists Museum, Lodz, Poland, Emmanuel Heller, Tel Aviv,Israel, Kulture, Bahnhof, Germany |
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NY/Arts Magazine Collection", traveling exhibition |
| 1999 |
Im- n il, Greenpoint, NY, "Out of Y2k" |
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Richard Anderson,- NYC, NY, "The Passion/Passions of Art" |
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Jorgensen Gallery, -NYC, NY, "2nd Annual Portrait Show" |
| 1998 |
Sideshow 195, -Williamsburg, Brooklyn, NY, "Pay Per It" |
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Scott Pfaffman, NY, NY, -"Color Pictures" |
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ChiMeat, -Williamsburg, NY, "Drawings" |
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Crest Hardware Show 98, -Williamsburg, NY |
| 1997 |
Stamp-, Williamsburg, NY "DisPlace" |
| 1996 |
FAO Gallery,- NYC, NY, "If the Shoe Fits" |
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Gallery 112 Henry,- NYC, NY, "Small Multiples" |
| 1995 |
450 Broadway Gallery,- NYC, NY, "Stand Up Straight", Artists Books |
| 1994 |
Henry Street Settlement,- NYC, NY, "Lower East Side Artists Re-Think Neighborhood Spaces" |
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St. Marks Position,- NY, NY, "A Drawing Survey" |
| 1992 |
The New Museum, -NYC, NY, "The Art Mall" (Drawings and Plans for "Two Dressing Rooms") |
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Newport Harbor Art Museum,- Newport Beach, Ca, "Selections from the Permanent Collection" |
| 1991 |
Jayne Baum Gallery, NYC, NY, "Group Exhibition" |
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The Art Museum, Florida Internatl U., -Miami, "American Art Today: The City" (catalog) |
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Montclair Art Museum, -New Jersey, "Selections from Chemical Bank Collection" (catalog) |
| 1988 |
Jayne Baum Gallery, -NYC, NY, "Reconciling Modes" |
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Mokotoff Gallery,- NYC, NY, "Heads" |
| 1987 |
Fresno Art Museum-, Fresno, CA. "Passages: A Survey of California Women Artist |
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One Penn Plaza, -New York, NY, "MovieTone Muse" |
| 1986 |
Cirrus Gallery, -Los Angeles, CA. "A California Collection" |
| 1986 |
Jan Baum Gallery, -Los Angeles, CA, "Landscape Elements" |
| 1985 |
Quint Gallery, San Diego,- CA, "Sixteen x Twenty-Six Landscapes" |
| 1984 |
Leila Taghinia-Milani, -NY, NY |
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Newport Harbor Art Museum, -Newport, CA, "First Newport Biennial-Los Angeles-" (catalog) (curator- Paul Schimmel) |
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California State University,- Fullerton, "Face To Face - Back to Back" (catalog) |
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Occidental College, -Eagle Rock, CA, "Sixteen Self-Portraits by L.A. Artists" |
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California State University, -Los Angeles, CA, "Viewing Contemporary Landscape Painting" (catalog) |
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Koplin Gallery,- Los Angeles, CA, "Olympiad-Summer 1984" |
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Design Center of Los Angeles-, CA, "A Broad Spectrum:Contemporary Los Angeles Painters and Sculptors 1984" (catalog) |
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Peter Miller Gallery, -Chicago, IL, "Boston, New York, Los Angeles" |
| 1983 |
Palm Springs Desert Museum,- Palm Springs, CA "Between the Freeways" (catalog) |
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Jan Baum Gallery, Los Angeles, CA,- "Figure Fascination" |
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Fresno Art Center,- Fresno, CA, "Five West Coast Artists of Armenian Ancestry" (catalog) |
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Jan Baum Gallery, -Los Angeles, CA, "Theatrical Expressionism" |
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San Francisco Museum of Modern Art,- San Francisco, CA, "Fresh Paint" (brochure) |
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Exile Gallery, Los Angeles, CA, "Sex in Exile" |
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American Gallery, -Los Angeles, CA, "Behavioral Patterns of Los Angeles Art Dealers" |
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Security Pacific Gallery Plaza,- Los Angeles, CA, "Art in The Public Eye" |
| 1981 |
Franklin Furnace,- New York, NY, Touring Exhibition, "Bookworks: New Approaches to Artists Books" |
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The Utah Museum of Fine Art-, Salt Lake City, Utah |
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University Museum,- Albuquerque, New Mexico |
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University of Arizona Museum of Fine Arts-, Tucson, Arizona |
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Eaton/Shoen Gallery,- San Francisco, CA |
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California State University,- Los Angeles, CA, "New Fauves" (brochure) |
| 1980 |
LACE (Los Angeles Contemporary Exhibitions),- CA, "On and Off Broadway" |
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Nelson Gallery of The Atkins Museum of Fine Arts-, Kansas City, MO, "Bookworks" |
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Sparks Gallery-, Denver, CO, "Five Los Angeles Artists |
| 1979 |
Seibu Museum, Tokyo, Japan, -"Visual and Sculptural Bookworks" (catalog) |
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LAICA, "Los Angeles Institute of Contemporary Art"- CA, "Urban Alterations" |
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| GRANTS AND COMPETITIONS |
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Adolph and Esther Gottlieb Foundation-, Individual Support Grant 2000 |
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Blue Mountain Center, -Blue Mt. Lake, NY (1 month artists and writers residency fellowship) 1999 |
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Potash Art Center, -(formerly Cummington), Cummington, Massachusetts (6 week residency) 1998 |
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St. Michaels College,- Colchester, VT (3 month residency fellowships) 1996 and 1997 |
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Altos De Chavon, -Artist-in-Residence program, Dominican Republic (3 month residency) 1990 |
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National Endowment for the Arts,- Visual Artists Fellowship Grant 1997 |
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MacArthur Park Public Art Program, ( "Talking Pyramids", public sculpture) -L.A., CA 1985 |
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Partially funded by the National Endowment for the Arts |
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"Public Announcement/Private Conversations",- Womens Graphic Center, Los Angeles, CA |
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National Endowment for the Arts,- publication project grant |
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California Confederation of The Arts, -CETA grant, "Art in Public Places" (one year sponsorship) |
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| COMMISIONED INSTALLATIONS |
| 1996 |
Long Island University, Brooklyn, -NY, "Six Sculptors" (Sculpture Center, NY), "Talkin Trash" |
| 1992 |
Carl Kay historical landmark building-, "Antique Carpet", Hollywood, CA |
| 1988 |
Creative Time "Art on the Beach",- Hunters Point L.I.C., N.Y., "Villa San Itta" |
| 1986 |
Barbara Sinatra Childrens Center,- Palm Springs, CA, "Secret Speak" |
| 1985 |
MacArthur Park, Los Angeles, CA,- MacArthur Park Public Art Program, "Talking Pyramids" |
| 1983 |
Construction site for the Century Freeway, Lynwood, CA -"Transitional Use", (sponsored by FAR/Foundation for Art Resources, Inc.) "Freeway Vessel" |
| 1982 |
Exile Gallery, Los Angeles, CA,- "Women in Exile" |
| 1981 |
Washington Project for The Arts (WPA),- Washington, D.C., "Streetworks", |
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Madison Art Center, Madison Wisconsin, -"The New Art of Downtown Los Angeles", "Carpet-Tar Pit" (catalog) |
| 1980 |
Santa Barbara Museum of Art, CA,- "Downtown L.A. in Santa Barbara", (site alteration) (catalog) |
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| PUBLIC COLLECTIONS |
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PS1 Contemporary Art Center/ Museum of Modern Art- , NY ("Modern Excavation"-sandblasted wall installation) |
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Pfizer Inc., New York, NY |
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Gruenwald Collection, University of California, Los Angeles (UCLA) |
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AMICO Library (Art Museum Image Consortium) http://-www.amico.org |
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The Broad Art Foundation, Paris, France |
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The Broad Art Foundation, Los Angeles, Ca |
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Museum of Contemporary Art, San Diego, CA |
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Orange County Museum of Art, Orange County, CA |
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Carnation Company, Glendale, CA |
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Chemical Bank, NYC, NY |
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Community Redevelopment Agency, LA, CA |
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Robert Egelston, Capitol Group, LA, CA |
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Barbara Sinatra Childrens Center, Palm Springs, CA, "Secret Speak" (site installation) |
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Los Angeles City Art Collection, MacArthur Park Public Art Program, "Talking Pyramids" (sculpture) |
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Gemini GeL- Elise and Stanley Grinstein LA, CA |
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Prudential Insurance Co. of America, Newark -, NJ |
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Security Pacific Bank, Los Angeles, CA |
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Security Pacific Bank, NYC, NY |
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| EDUCATION |
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Received Master of Arts and Bachelor of Arts from California State University, Norhridge, CA |
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| SELECTED BIBLIOGRAPHY |
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Cotter, Holland, Weekend, "For Hikers Seeking Art, Brooklyn Is a Left Bank" NewYork Times, Dec. 15, 2000 |
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Youens, Rachel, Brooklyn Rail, Issue 43-44 Dec/Jan 2000-01Left Bank |
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Nahas, Dominique, "Facts and Figures", Review Magazine, February 15, 2000 |
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Reid, Calvin, Essay for New Jersey Center for Visual Arts, December 5, 1998 |
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Cotter, Holland, "Sculpture Under The Sky", New York Times, August 26, 1994 |
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Kandel, Susan, "Gender Gaze", Los Angeles Times, March 11, 1994 |
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Frank, Peter, "Africano, Simonian, Wagner, Stockholder, LA. Weekly, June 2-13 1991 |
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Curtis, Cathy, Gallery Reviews, Los Angeles Times, February 16, 1990 |
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Mahoney, Robert, "Talking Buildings", New York Press, March 24, 1989 |
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Mahoney, Robert, "Art on The Beach", ARTS Magazine, November I988 |
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Brenson, Michael, "Outdoor Sculpture Reflects Struggle of Life in the City", New York Times, July 15, 1988 |
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Knight, Christopher, "Painter Relocates Landscapes", Los Angeles Herald Examiner, May 13, 1988 |
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Muchnic, Suzanne, "Galleries:Wilshire Center", Los Angeles Times, April 25, 1986 |
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Clothier, Peter, "A Playground for Artists", Stroll (Magazine)Winter 1986 |
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McMillin, Penelope, "MacArthur Park-Art Helps Paint A New Iamge", Los Angeles Times, November 4, l98 |
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Drohojowska, Hunter, "Someone Left the Art Out In the Park", LA Herald Examiner, November 1, 1985 |
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Norklun, Kathy (editor), Cover Photograph, Spectacle(magazine), number 3, 1985 |
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Pincus, Robert L., "Art As Artifact", Flash Art, Summer 1985 |
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Garris, Laurie, "The MacArthur Park Program", Arts and Architecture, July 1985 |
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Pincus, Robert L., "Breathing Life into An Old Form", San Deigo Union, Sunday, April 28, 1985 |
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Larsen, Susan C., "First Newport Biennial", ARTnews, February, 1985 |
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Donahue, Marlena, Gallery Reviews, Los Angeles Times, December 7, 1984 |
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Pincus, Robert L., "An Artist in Search for Dialogue", Los Angeles Times, November 28, 1984 |
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Wilson, William, "Its Neo-Ex Trick or Treat at Newport", Los Angeles Times, October 14, 1984 |
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Knight, Christopher, "Its Art, Plain and Simple at Newport", Los Angeles Herald Examiner, October 28, 1984 |
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Shipper, Merle, "Neo-Expressionism, Judy Simonian", Images and Issues, November-December 1983 |
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Rubin, David, "Art Reviews", Art in America, October 1983 |
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Muchnic, Suzanne, Gallery Reviews, Los Angeles Times, April 15, 1983 |
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Drohojowsha, Hunter, "Transitional Use: A Suburban Exhibition", Arts and Architecture, V1#3 |
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Knight, Christopher, "Los Angeles - Art on the Move", ARTnews, January 1983 |
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Knight, Christopher, "Artworks That Fill A Corridor", Los Angeles Herald Examiner, Sun. Sept. 19, 1983 |
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Wilson, William, "Insecure Love-Or An Affair to Dismember", Los Angeles Times Calendar, Oct. 31, 1982 |
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Albright, Thomas, "Fresh Paint", ARTnews, September, 1982 |
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Muchnic, Suzanne, "Creativity Transforms Century Freeway Ruins", Los Angeles Times, September 4, 1982 |
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Knight, Christopher, "Art That An Demands An Audience", Los Angeles Herald Examiner, August 15, 1982 |
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Boettger, Susan, "Fresh Paint, New Fingerprints", San Francisco Chronicle, Sunday, June 27, 1962 |
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Wilson, William, Gallery Reviews, Los Angeles Times, Jan-15, 1982 |
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Bonner, Kathleen, "Judy Simonian at Neil Ovsey Gallery", Images and Issues, Summer 1982 |
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Miller, Elise, "Exhibit at SDSU Gallery Seeks to Broaden Definitions of Drawing", Los Angeles Times, March 17, 1981 |
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Clothier, Peter, "Art At Large", Laica Joumal, October 1980 |
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Ross, Richard, "Art At Large in Santa Barbara", Laica Journal, October 1980 |
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